Download PDF International ManagementBy Richard Mead, Tim G. Andrews

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International ManagementBy Richard Mead, Tim G. Andrews

As in previous editions of this popular text on cross-cultural management, students will find here an invaluable guide to key management theories, linked to practical examples from all round the world. The book's key distinctive feature remains its truly international profile, with current examples from the US, Europe, Asia and new perspectives in this edition from other regions.

  • Discussion of cross-cultural models is updated by including the 'crossvergence' framework developed during the 1990s, as well as the latest new research on organizational culture

  • Coverage of how and to what extent cultural variation affects the implementation of e-technology at the workplace (esp. in multinational subsidiaries)

  • New material on the management of marketing/sales teams across borders and implications of cultural differences for expatriate managers.

  • The addition of several new cases, from the Middle East, Latin America and Africa as well as new cases in in Asia.

The 4th edition retains the special appendix on how to write a successful dissertaion or project which makes this a useful text for both MBA and advanced undergraduate courses.

  • Sales Rank: #945861 in Books
  • Brand: Brand: Wiley-Blackwell
  • Published on: 2009-06-22
  • Released on: 2009-06-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.60" h x 1.20" w x 7.10" l, 2.00 pounds
  • Binding: Paperback
  • 486 pages
Features
  • Used Book in Good Condition

Review
"The most comprehensive cross-cultural management book ever offered to the market." John Stanbury, Indiana State University (of the first edition)

"This book is set to become the market leader..." Bob Westwood, Chinese University, Hong Kong (of the first edition)

"This book is the best textbook I have come across in its comprehensive cross-cultural treatment of the issues of Human Resource Management and Organisation." William Nevett, Manchester Metropolitan University (of the first edition)

From the Back Cover
As in previous editions of this popular text on cross-cultural management, students will find here an invaluable guide to key management theories, linked to practical examples from all round the world. The book's key distinctive feature remains its truly international profile, with current examples from the US, Europe, Asia and new perspectives in this edition from other regions.


  • Discussion of cross-cultural models is updated by including the 'crossvergence' framework developed during the 1990s, as well as the latest new research on organizational culture

  • Coverage of how and to what extent cultural variation affects the implementation of e-technology at the workplace (esp. in multinational subsidiaries)

  • New material on the management of marketing/sales teams across borders and implications of cultural differences for expatriate managers.

  • The addition of several new cases, from the Middle East, Latin America and Africa as well as new cases in in Asia.

The 4th edition retains the special appendix on how to write a successful dissertaion or project which makes this a useful text for both MBA and advanced undergraduate courses.

About the Author
Richard Mead convenes international management programs at the School of Oriental and African Studies, University of London. He has 35 years experience teaching communications management, including a visiting position at the Kellogg Graduate School of Management, Northwestern, and teaching at the Sasin Graduate Institute of Business Administration, Thailand.

Tim Andrews is Senior Lecturer in Management at the University of Strathclyde, UK.

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Aesthetics and Its DiscontentsBy Jacques Ranci?re

Only yesterday aesthetics stood accused of concealing cultural games of social distinction. Now it is considered a parasitic discourse from which artistic practices must be freed.

But aesthetics is not a discourse. It is an historical regime of the identification of art. This regime is paradoxical, because it founds the autonomy of art only at the price of suppressing the boundaries separating its practices and its objects from those of everyday life and of making free aesthetic play into the promise of a new revolution.

Aesthetics is not a politics by accident but in essence. But this politics operates in the unresolved tension between two opposed forms of politics: the first consists in transforming art into forms of collective life, the second in preserving from all forms of militant or commercial compromise the autonomy that makes it a promise of emancipation.

This constitutive tension sheds light on the paradoxes and transformations of critical art. It also makes it possible to understand why today's calls to free art from aesthetics are misguided and lead to a smothering of both aesthetics and politics in ethics.

  • Sales Rank: #425215 in Books
  • Model: 5183119
  • Published on: 2009-08-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .50" w x 5.50" l, .41 pounds
  • Binding: Paperback
  • 176 pages

Review
"Riveting. In short compass, Rancière provides a razor-sharp critique of the anti-aesthetics of postmodernism. His ear for the substitution of political substance by empty moralism ? call it: the sublime, the unpresentable, the other, the Shoah ? is unerring. His dissections of Badiou, Lyotard, von Trier's Dogville, and a Christian Boltanski installation are pitch-perfect. For a pointed defense of the role of aesthetics for a radical politics: begin here."
Jay Bernstein, New School for Social Research

"Jacques Rancière's Aesthetics and its Discontents mounts a subtle and spirited defense of modern aesthetic thought, from Schiller to Adorno. Aesthetics is not philosophy seeking to dominate art, as its modish detractors claim. Rather, it is the attempt to think through the artwork's paradoxes and contradictions. In a forceful critique of rival thinkers such as Lyotard and Badiou, Rancière shows that abandoning aesthetic discourse does not mean respecting the integrity of art. Instead, art ends up being reduced to the vehicle of a remorseless ethical demand, or to the cipher of a transcendent truth."
Peter Dews, University of Essex

From the Back Cover
Translated by Steven Corcoran

Only yesterday aesthetics stood accused of concealing cultural games of social distinction. Now it is considered a parasitic discourse from which artistic practices must be freed.

But aesthetics is not a discourse. It is an historical regime of the identification of art. This regime is paradoxical, because it founds the autonomy of art only at the price of suppressing the boundaries separating its practices and its objects from those of everyday life and of making free aesthetic play into the promise of a new revolution.

Aesthetics is not a politics by accident but in essence. But this politics operates in the unresolved tension between two opposed forms of politics: the first consists in transforming art into forms of collective life, the second in preserving from all forms of militant or commercial compromise the autonomy that makes it a promise of emancipation.

This constitutive tension sheds light on the paradoxes and transformations of critical art. It also makes it possible to understand why today?s calls to free art from aesthetics are misguided and lead to a smothering of both aesthetics and politics in ethics.

About the Author
Jacques Rancière is Emeritus Professor of Philosophy at the University of Paris (St. Denis).

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Download PDF Intimate Communications: Erotics and the Study of CultureBy Gilbert Herdt, Robert J. Stoller

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Intimate Communications: Erotics and the Study of CultureBy Gilbert Herdt, Robert J. Stoller

  • Sales Rank: #10131795 in Books
  • Published on: 1990-04-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.50" w x 1.25" l,
  • Binding: Hardcover
  • 467 pages

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Ebook Clausewitz: A Very Short Introduction

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Clausewitz: A Very Short Introduction

Review

Review from previous edition 'as a synthesis of Clausewitz scholarship this study can hardly be faulted'"--English Historical Review"a delightful introduction to the paradoxes and insights of this passionate rationalist."--London Review of Books

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About the Author

Sir Michael Howard has held the Chair of War Studies at King's College London, the Chichele Chair of History of War and the Regius Chair of Modern History at Oxford, and the Robert A. Lovett Chair of Military and Naval History at Yale. His works include The Franco-Prussian War, The Causes of Wars, War and the Liberal Conscience, The Lessons of History, and War in European History. Together with Professor Peter Paret he edited and translated Clausewitz, On War.

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Product details

Paperback: 96 pages

Publisher: Oxford University Press; 1st edition (May 16, 2002)

Language: English

ISBN-10: 0192802577

ISBN-13: 978-0192802576

Product Dimensions:

6.8 x 0.4 x 4.4 inches

Shipping Weight: 3.2 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

19 customer reviews

Amazon Best Sellers Rank:

#547,758 in Books (See Top 100 in Books)

Given that the goal of this book is to impart upon the reading a sense of understanding and knowledge about basic ideas of military theorist von Clausewitz, I can only say that this book hit its mark in brilliant fashion.Short, concise, yet filled to the brim with information. I particularly enjoyed how author Mr. Howard set a chapter on "Clausewitz in his time" wherein we see the thinking of the day, the atmosphere in which Clausewitz 'thought,' and so forth. This really set the basis for which one can understand Clausewitz further. I also liked the chapter on the legacy of Clausewitz in which Mr. Howard presents various criticisms of Clausewitz's ideas, and then proceeds to counter them.Overall a must read for all those who are interested in understanding military endeavors- historical or current- which, if you are reading this, then it's safe to say you are in fact interested. Enjoy!

I give this book 5 stars for its thorough introduction to Clausewitz and his opus "On war".The book is well-structured and presents Clausewitz' ideas in a informative way with a good balance of trivia, facts and well founded analyses and interpretations, while resisting the temptation to bore the reader with nerdy details. With this introduction in hand, I feel safe on embarking on a full reading of On War.

This is more than a crib book - it places Clausewitz in context as well as drawing out his more important lessons. Having read the whole book at a junior Staff College course many years ago, I found myself in a unit with officers all actively engaged in the study of the original book. This little volume allowed me to converse on many points I'd long since forgotten. Highly recommended for all military officers.

Michael Howard was the co-editor of the 1976 translation of Clausewitz's famous book on War. In this 'Very Short Introduction' Howard goes through all the major thoughts of Clausewitz, which go beyond the more widely read book one.

Good choice for military theorists and enthusiast. Beware that the content was written some time ago and writing style may be difficult for some to consume and deconstruct. Suitable for the progressing novice into deeper military strategic material, specific to military warfare and less abstract than malleable and adaptive doctrines like Sun Tzu's Art of War.

I'm in a grad course where a majority of the students are military and therefore well-schooled and knowledgable on Clausewitz's theory/book "On War." Although this is not a substitute for reading Clausewitz's original work, it is a solid and useful introduction that gives context and insight into why Clausewitz wrote what he did and the essence/relevance of his work. (At 80 pages, this "Intro" is short enough/worthy enough to read prior to any discussion or dialogue on Clausewitz's theory of war.)

An excellent summation of Clausewitz's masterpiece "ON War". A highly recommended introduction to the man's genius. Get it and read it, and you will be amply rewarded, and pleased you did.

A very narrow synopsis of "On War" by Clausewitz. Good for quick review but not useful for analysis which would be the reason for reading Clausewitz.

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Clausewitz: A Very Short Introduction PDF

Clausewitz: A Very Short Introduction PDF

Clausewitz: A Very Short Introduction PDF
Clausewitz: A Very Short Introduction PDF